BUY ART
OPEN EDITION PRINTS  |
| LIMITED EDITION PRINTS |
| Botanical Art Gillian Scott |
| Botanical Art Stephanie Kim |
| Graphic Abstracts Jeremy Beeton |
| Marine Impressions Eric Myhill |
| Sublimity Geometric Abstracts William Boot |
| Ben Beeton - Artists Residencies |
| Ben Beeton - Diverse Styles |
| Ben Beeton Collaborations |
| Boyce Gardens |
| Bundanon |
| Fowlers Gap |
| Hill End |
| Sugarloaf Mountain |
| Wrights Air |
| Ben Beeton Diverse Styles 1 |
| Ben Beeton Diverse Styles 2 |
| Ben Beeton - Artists Residencies |
| Ben Beeton - Diverse Styles |
| Ben Beeton Collaborations |
| Boyce Gardens |
| Broken Hill |
| Bundanon |
| Fowlers Gap |
| Hill End |
| Wrights Air |
| Menindee |
| Ben Beeton Diverse Styles 1 |
| Ben Beeton Diverse Styles 2 |
| Rectangular Canvas |
| Square Canvas |
| Rectangular Canvas |
| Square Canvas |
| Rectangular Canvas |
| Square Canvas |
| Rectangular Canvas |
| Square Canvas |
| Rectangular Canvas |
| Square Canvas |
| Rectangular Canvas |
| Square Canvas |
| Botanicals - Gillian Scott |
| Botanicals - Stephany Kim |
| Graphic Abstractions - Jeremy Beeton |
| Marine Impressions - Eric Myhill |
| Natural History - Art Mali Moir |
| Sublime Architecture - William Boot |
| Sublimity in Detail - William Boot |
| Sublimity - William Boot |
| Abstracts |
| After Bridget Riley |
| After Ken Ball |
| After Rothko |
| After Tim Maguire |
| Amongst the Living |
| Architecture |
| Australian Icons |
| Australian Outback Images |
| Characters |
| City Impressions |
| Colour Fields |
| Electric Carpets |
| Electricity Brisbane |
| Evolutionary Trees |
| Exotic Carpets |
| Exotic Carpets in Detail |
| Figure Studies |
| Flowers Intimacy |
| Grey Scale |
| Heath Tapestry |
| Inklings - Fluid Worlds & Creatures |
| Inklings- Landscape & Atmosphere |
| Lamington National Park Queensland |
| Landscapes & Atmosphere |
| Leaf Works |
| Life as Liquid |
| Mandelas |
| Nature Studies Animals |
| Nature Studies - Broken Hill |
| Nature Studies - Bundanon |
| Nature Studies - Daintree |
| Nature Studies - Dunmoochin |
| Nature Studies - Fowlers Gap |
| Nature Studies - Hill End |
| Nature Studies - Williams Creek |
| Photography |
| Space Ship Window |
| Sporting Chromosomes |
| Surrealist Realms |
| Thats Entertainment |
| Travelling Impressions - Coolumn Journey |
| Travelling Impressions - Crows Nest |
| Travelling Impressions - Sugar Loaf Mountain |
| Travelling Impressions - with Wrights Air |
| Abstracts |
| After Bridget Riley |
| After Rothko |
| Amongst The Living |
| Architecture |
| Australian Icons |
| Australian Outback Images |
| Brisbane Electricity |
| Characters |
| City Impressions |
| Colour Fields |
| Electric Carpets |
| Melbourne Electricity |
| Evolutionary Trees |
| Exotic Carpets |
| Flowers Intimacy |
| Grey Scale |
| Heath Tapestry |
| Inklings |
| Lamington National Park Queensland |
| Landscape and Atmosphere |
| Leaf Works |
| Life as Liquid |
| Mandalas |
| Nature Studies |
| Nightlings |
| Photography |
| Portraits |
| Space Ship Window |
| Surrealist Realms |
Eric Myhill
I work through a range of media but my strength is in the digital. I’m interested in the collaboration process. When Ben came to me with the idea of creating a series of artworks that followed the evolution of a number of marine orders (groups of animals) through deep time I was not sure how to approach it aesthetically. Ben has an ongoing love for the artist Turner. Ben felt that Turners works (although I’m sure Turner did not intend for them to be seen this way) might at times suggest millions of years within one frozen moment. So following this idea we decided to strive to create marine environments that depicted flux over millions of years within the moment. That was the idea and I think we achieved it. I became very interested in achieving translucent lighting effects for these aquatic environments. One thing that really impressed me about this project was that it helped me gain some insights into how old this planet of ours really is. Ben places a lot of emphasis on being scientifically accurate and spent a long time researching the fossil aspect of the work. I enjoyed this project and look forward to future collaborations with Ben.
The meaning behind the work titled Marine Impressions that Ben and I created is as follows. From left to right the work conceptually spans approximately 2 billion years ago until the present. The work is chronologically based and consists of 18 images. It was at approximately 2 billion years ago that the seas changed colour from green to blue. Reading the work from left to right, the first 6 images represent the seas from approximately 2 billion years ago to 545 million years ago. The next 11 images represent the 11 periods of geological time from the Cambrian to the Quaternary. Each panel features fossils of Ammonites, Trilobites & Echinoderms which existed in that period of time. The Trilobites became extinct at the end of the Permian, some 290mya (million years ago). The Ammonites became extinct at the end of the Cretaceous period, 65mya. Echinoderms continue but not in the same diversity as previously witnessed. The last panel features a wedge-tail eagle. This marks the beginning of modern life forms. The absence of fossils from an image means that the group had all but gone extinct or had not yet evolved.
